Industry News16 July 2026

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat

Sahrawi writer and filmmaker Mohamed Sleiman Labat challenges Christopher Nolan's decision to shoot "The Odyssey" in Moroccan-occupied Western Sahara — where Sahrawi filmmakers risk imprisonment for pointing a camera — arguing that the production legitimises the occupation's erasure of Indigenous storytelling rights.

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can't tell their stories without fear of imprisonment, helps erase our own brutal journey.

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco.

In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right.

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