Industry News18 May 2026

‘Once Upon A Time In Harlem’ Continues To Charm With Buzzy Cannes Debut

David and Liani Greaves continued their festival rollout for Once Upon A Time In Harlem this evening in Cannes, where the decades-in-the-making documentary received an uncharacteristically enthusiastic response in the Théâtre Croisette following its debut screening.

‘Once Upon A Time In Harlem’ Continues To Charm With Buzzy Cannes Debut

Screening as part of the Directors’ Fortnight competition, Once Upon A Time In Harlem received a hearty four-minute standing ovation after this evening’s screening. Extended ovations are rare for documentaries in the Directors’ Fortnight strand. Both David and Liani Greaves were present this evening. The pair wiped away tears as the audience rose to their feet in applause following the screening. Related Stories Casting Naomi Ackie In Final Talks To Join Maika Monroe In David Robert Mitchell's 'They Follow' News 'Once Upon A Time In Harlem' Teaser: William Greaves' Unreleased Opus Finally Comes To Life

David Greaves sheds tears hearing the rapturous response to his documentary ‘Once Upon a Time in Harlem.’ It screened in Directors Fortnight in Cannes. pic.twitter.com/A1vZYfrigD

Director David Greaves arrives for the screening of ‘Once Upon a Time in Harlem’ in Directors’ Fortnight in Cannes pic.twitter.com/f99kifoirl

The footage was originally shot for a film about the Harlem Renaissance called From These Roots, which Greaves completed in 1974 using only archival materials. The interviews and discussions from the party were put to the side. However, Greaves, who went on to become a major figure of American independent cinema, completing over 70 films, including the now-seminal Symbiopsychotaxiplasm films, believed Once Upon a Time in Harlem was his greatest work. He spent much of the rest of his life wrestling with how to finish the film. He died in 2014, with the film incomplete. His widow, Louise Greaves, continued working on the project until she died in 2023, at which point his son, David Greaves, and David’s daughter, Liani Greaves, picked up the mantle.

Film producer Anne de Mare oversaw the restoration and digitization of the footage used in the doc. Neon picked up the film following the screening at Sundance, beating out Netflix and Mubi. The film is set to be released later this year in time for William Greaves’ centenary on October 8.

Source: deadline.com

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